Beat of Your Love
Devon Carsen. Engineered, mixed, and mastered at Studio S.
Professional recording, mixing, and production from Oakland β top-tier custom gear, shaped by years of experience in CJC's exclusive studio program and at Tiny Telephone and Hyde Street Studios. Every session starts with the music.
The Work
A handful of cuts that show the range β production, mix, session, score.
Devon Carsen. Engineered, mixed, and mastered at Studio S.
Magilo. Produced, engineered, mixed, and mastered at Hyde Street Studio D, San Francisco.
Collaboration with Will BElieve. Performed, engineered, mixed, and mastered at Studio S.
What I Do
Starting prices. Real quotes come back within 24 hours of an intake β bespoke to scope, timeline, and ownership terms.
Produce, arrange, play, mix, master one song from concept or stems. The whole record-it deal in one quote.
from$1,500 Β· $1.5kβ$5k
Quote this βMix or master tracks you (or your producer) already tracked. Per-song or in bundles. Two rounds of revisions included.
from$300 Β· per song
Quote this βBass, guitar, drums, keys, voice. Stems delivered, ready to drop into your session. Per-instrument-per-song pricing.
from$150 Β· per instrument
Quote this βTheme music, transitions, sonic logo, on-hold loops. Custom-composed audio identity for shows and brands.
from$300 Β· scope-based
Quote this βComposition to picture β short film, ad, game cue, sync placement. Bespoke quotes per project length and use rights.
from$1,000 Β· use-rights based
Quote this βFor artists, podcasters, and brands with ongoing audio needs. Set hours, faster turnaround, priority queue.
from$2,000/mo Β· 3-mo minimum
Quote this βThe Room
Built around custom analog gear from Cdel β designed by Cesar Delly, the legendary Oakland builder behind consoles for studios worldwide, including Otis McDonald's.
Every preamp, every EQ β hand-built by Cesar Delly with rare vintage transformers. A 16-channel Cdel summing mixer, six custom Cdel preamps, 1073-style Chameleon preamps with EQ, and a Stam Audio "LogicChild" mastering chain. Tandberg quarter-inch tape and a Tascam Portastudio for when the track needs to breathe.
On the front end: an Advanced Audio U47 clone, a Beesneez Arabella, Cdel U87 and U47 FET clones, Cdel Mini Ribbons, a Warm WA-44 ribbon, AKG D12, Telefunken TD26, matched-pair SE s7 condensers, matched-pair Uher M534, and a full SM57/58/7 set. On the back end: Universal Audio Apollo x8p, x16, and x4; Neumann KH120s and JBL LSR8s; UAD Complete, Goodhertz, iZotope, Soundtoys, Native Instruments, Arturia.
Drums are a Sonor S Class 22" 5-piece with 1968 Vintage Zildjian A cymbals and a Yamaha SD493 Steve Gadd snare. Keys: Rhodes Stage 88 MK2, vintage MicroKorg, weighted DCP-300. Amps: Reverend Kingsnake tube head, MarkBass 1000W with Ampeg 10". Effects: Red Panda Context & Particle, MXR Phase 90, Red Witch Chorus/Trem, modded Boss DS-1, Helix LT.
Kind Words
“Simon is easy to work with, quick, professional, and insightful as a producer. Every project we work together has a spark!”
Tess Posner Β· Recording artist & composer
How It Works
No back-and-forth booking calls before you know if it's a fit. Tell me what you want, what's in the budget, when you need it. I respond with a real number.
Start a Project
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Questions